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| 001 | 302629 | ||
| 003 | IT-RoAPU | ||
| 005 | 20250106152643.0 | ||
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| 008 | 240602t20232023ne fo d z eng d | ||
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_a9789048550289 _qPDF |
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| 024 | 7 |
_a10.1515/9789048550289 _2doi |
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| 035 | _a(DE-B1597)9789048550289 | ||
| 035 | _a(DE-B1597)670301 | ||
| 035 | _a(OCoLC)1396263808 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 |
_aN6848.5.V53 _bN66 2023 |
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| 072 | 7 |
_aART057000 _2bisacsh |
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| 082 | 0 | 4 |
_a791.43 _223/eng/20231115 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aNony, Anaïs _eautore |
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| 245 | 1 | 0 |
_aPerformative Images : _bA Philosophy of Video Art Technology in France / _cAnaïs Nony. |
| 264 | 1 |
_aAmsterdam : _bAmsterdam University Press, _c[2023] |
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| 264 | 4 | _c©2023 | |
| 300 | _a1 online resource (192 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 | _aFilm Culture in Transition | |
| 505 | 0 | 0 |
_tFrontmatter -- _tTable of Contents -- _tIntroduction. Video: Between Technology and Performance -- _t1. Volume-Image of Video Technology -- _t2. Zones of Modulation: Video as a Space-Critical Medium -- _t3. Programmed Life and Racialized Technesis -- _t4. Video and the Technological Milieu of Desire -- _tConclusion. Performative Images as Objects of Philosophical Inquiry -- _tArtworks Cited -- _tAcknowledgements -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aPerformative Images draws upon the work of video artists and activists in France between the 1970s and the early 2020s and focuses on significant practices with technology. Video art and video activism are analysed together in the book to revaluate key concepts in media studies and foreground a performative approach to the theory of image technology. The book engages works in visual culture, performance studies, digital studies, critical race theory, and feminist methodologies to account for the changes brought about by video technology in social and psychic life. Performative Images is about art and activists’ engagement in video technology—an engagement that unsettles the hegemonic narrative of dominant media, as well as the apparently politically neutral dimension of communication technology. In this book, the author explores how video-image technology shapes our psychic and social environments from an art historiographical perspective. We know media technology is dramatically shaping our political and epistemological landscape: this book foregrounds the emergence of performative video images as a key factor in the revaluation of culture and politics. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Jun 2024) | |
| 650 | 0 |
_aArt and technology _zFrance. |
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| 650 | 0 |
_aVideo art _zFrance. |
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| 650 | 4 | _aArt and Material Culture. | |
| 650 | 4 | _aFilm Studies. | |
| 650 | 4 | _aFilm, Media, and Communication. | |
| 650 | 4 | _aMedia Studies. | |
| 650 | 7 |
_aART / Film & Video. _2bisacsh |
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| 653 | _aThierry Kuntzel, Video Art, Performance Studies, Media Studies, France. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9789048550289?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9789048550289 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9789048550289/original |
| 942 | _cEB | ||
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_c302629 _d302629 |
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