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020 _a9789048556267
_qPDF
024 7 _a10.1515/9789048556267
_2doi
035 _a(DE-B1597)9789048556267
035 _a(DE-B1597)651441
035 _a(OCoLC)1374078783
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aND623.A54
072 7 _aART015030
_2bisacsh
084 _aonline - DeGruyter
100 1 _aThomas, Anabel
_eautore
245 1 4 _aThe Art and Government Service of Francesco di Bartolomeo Alfei (c. 1421 - c. 1495) :
_bVisual Propaganda and Undercover Agency for the Republic of Siena /
_cAnabel Thomas.
264 1 _aAmsterdam :
_bAmsterdam University Press,
_c[2023]
264 4 _c©2023
300 _a1 online resource (276 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aVisual and Material Culture, 1300 –1700 ;
_v45
505 0 0 _tFrontmatter --
_tFrancesco di Bartolomeo Alfei’s 1491 Tax Declaration (in Italian and English) --
_tTable of Contents --
_tList of Illustrations --
_tPreface --
_tStructure of the Book --
_tAcknowledgements --
_tIntroduction --
_tPart One Art and Diplomacy --
_t1. The Politics of Journeyman Painting --
_t2. The Diplomat Leonardo Benvoglienti and His ‘Friend’ , the Painter Francesco di Bartolomeo Alfei --
_tPart Two Francesco di Bartolomeo Alfei: Conflicting Career Options --
_t1. Workshop Training and Neighbourhood Networking --
_t2. Military Action in Defence of Siena’s Southern Territories --
_tPart Three Giovanni di Paolo, Sano di Pietro and Francesco di Bartolomeo Alfei Undertake Work for the ‘Chompangnia e Fraternita di San Franciescho posta nel Chonvento di San Franciescho' --
_t1. The Fraternity --
_t2. A New Altarpiece --
_t3. Fresco Work in the ‘Company Chapel’ --
_tPart Four Francesco di Bartolomeo Alfei, ‘Trusted Servant’ Inside and Outside the Walls of Siena --
_tForeword --
_t1. Arbitrator and Scribe for the Trecerchi --
_t2. Martinozzi Patronage --
_t3. Government-Sponsored Work Inside Siena and Official Postings in Montalcino , the Val di Chiana and Vergelle --
_tPart Five The Ponte d’Arbia Project: Preserving the ‘Honour’ of Siena --
_tIntroduction --
_tConclusion --
_tBibliography --
_tPhotograph credits and copyright notices --
_tGeneral Index --
_tAuthor Index
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aIn 1454 the Sienese painter Francesco di Bartolomeo Alfei faced litigation from the Mercanzia in Siena for defaulting on a contract from one of the leading Franciscan confraternities in the city. Two fellow Sienese artists, Giovanni di Paolo and Sano di Pietro, had recently completed a new altarpiece for the same entity. Anabel Thomas considers how the two commissions were linked and questions why Francesco di Bartolomeo Alfei’s brief to fresco the confraternity chapel remained unfinished. In a wide ranging analysis of mainly unpublished records, focussing on the artist’s association with key members of Sienese society, fellow artisans and government officials, Thomas concludes that Francesco di Bartolomeo Alfei might have honoured his contract had he not become immersed in the military strategy, diplomacy and visual propaganda of the Republic of Siena.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2024)
650 0 _aPainters
_vBiography
_zItaly
_zSiena.
650 0 _aPainters
_zItaly
_zSiena
_vBiography.
650 4 _aArt and Material Culture.
650 4 _aHistory, Art History, and Archaeology.
650 4 _aMedieval Studies.
650 4 _aPolitics and Government.
650 7 _aART / European.
_2bisacsh
653 _aFifteenth-century Siena, Visual Propaganda, Art, Politics and Diplomacy, Government Service and Undercover Agency.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9789048556267?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9789048556267
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9789048556267/original
942 _cEB
999 _c302660
_d302660