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020 _a9789048556885
_qPDF
024 7 _a10.1515/9789048556885
_2doi
035 _a(DE-B1597)9789048556885
035 _a(DE-B1597)651439
035 _a(OCoLC)1371971552
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPN1993.5.J3
_bW3274 2023
072 7 _aART057000
_2bisacsh
082 0 4 _a791.430952
_223
084 _aonline - DeGruyter
100 1 _aWada-Marciano, Mitsuyo
_eautore
245 1 0 _aJapanese Filmmakers in the Wake of Fukushima :
_bPerspectives on Nuclear Disasters /
_cMitsuyo Wada-Marciano.
264 1 _aAmsterdam :
_bAmsterdam University Press,
_c[2023]
264 4 _c©2023
300 _a1 online resource (250 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aCritical Asian Cinemas ;
_v4
505 0 0 _tFrontmatter --
_tTable of Contents --
_tList of Illustrations --
_tAcknowledgements --
_tIntroduction --
_t1. No Nukes before Fukushima : Postwar Atomic Cinema and the History of the “Safety Myth” --
_t2. Straddling 3/11: The Political Power of Ashes to Honey --
_t3. Resistance against the Nuclear Village --
_t4. The Power of Interviews --
_t5. Learning about Fukushima from the Margins --
_t6. The Power of Art in the Post-3/11 World --
_tAppendix: Interview from “Film Workshop with Director Hamaguchi Ryusuke” --
_tBibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _an the ongoing aftermath of the nuclear accident in 2011, filmmakers have continued to issue warnings about the state of Japanese society and politics, which remain mired in refusal to change. Nearly a decade in the making, Japanese Filmmakers in the Wake of Fukushima is based on in-person interviews with countless filmmakers, as well as continuous dialogue with them and their work. Author Wada-Marciano has expanded these dialogues to include students, audiences at screenings, critics, and researchers, and her observations are based on down-to-earth-exchange of ideas engaged in over a long period of time. Filmmakers and artists are in the vanguard of those who grapple with what should be done regarding the struggle against fear of the invisible blight—radiation exposure. Rather than blindly following the mass media and public opinion, they have chosen to think and act independently. While repeatedly viewing and reviewing the film works from the post-Fukushima period, Wada-Marciano felt the unwavering message that emanates from them: “There must be no more nuclear weapons.” “There must be no more nuclear power generation.” The book is dedicated to convincing readers of the clarity of their message.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2024)
650 0 _aFukushima Nuclear Disaster, Japan, 2011, in motion pictures.
650 0 _aMotion picture producers and directors
_zJapan
_vInterviews.
650 0 _aMotion pictures
_zJapan
_xHistory
_y21st century.
650 4 _aArt and Material Culture.
650 4 _aEast Asia and North East Asia.
650 4 _aFilm Studies.
650 4 _aFilm, Media, and Communication.
650 4 _aMedia Studies.
650 7 _aART / Film & Video.
_2bisacsh
653 _aJJapanese documentary films, atomic cinema, the nuclear disaster in Fukushima, contemporary Japanese arts, nuclear power.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9789048556885?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9789048556885
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9789048556885/original
942 _cEB
999 _c302665
_d302665