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020 _a9789048557509
_qPDF
024 7 _a10.1515/9789048557509
_2doi
035 _a(DE-B1597)9789048557509
035 _a(DE-B1597)651033
035 _a(OCoLC)1371971106
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aART015030
_2bisacsh
082 0 4 _a069
084 _aonline - DeGruyter
100 1 _aFerando, Christina
_eautore
245 1 0 _aExhibiting Antonio Canova :
_bDisplay and the Transformation of Sculptural Theory /
_cChristina Ferando.
264 1 _aAmsterdam :
_bAmsterdam University Press,
_c[2023]
264 4 _c©2023
300 _a1 online resource (296 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tTable of Contents --
_tTable of Contents --
_tIntroduction: Canova on Display --
_t1. Imagining Sculptural Practice --
_t2. Reevaluating Ancients and Moderns --
_t3. Anatomizing the Female Nude --
_t4. Challenging the Supremacy of Painting --
_t5. Defining Modern Sculpture --
_tConclusion: Aftereffects --
_tBibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aExhibiting Antonio Canova: Display and the Transformation of Sculptural Theory argues that the display of Canova’s sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of subjects. By enshrining his marble figures alongside plaster casts of ancient works, bathing them in candlelight, staining and waxing their surfaces, and even setting them in motion on rotating bases, Canova engaged viewers intellectually, physically, and emotionally. These displays inspired discussions on topics as diverse as originality and artistic production, the association between the sculptural surface, flesh, and anatomy, the relationship between painting and sculpture, and the role of public museums. Beholders’ discussions also shaped the legacy of important sculptural theories. They helped usher in their modern definitions and created the lenses through which we experience and interpret works of art, establishing modern attitudes not just towards sculpture, but towards cultural patrimony in general.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2024)
650 4 _aArt and Material Culture.
650 4 _aHistory, Art History, and Archaeology.
650 4 _aModern History.
650 7 _aART / European.
_2bisacsh
653 _aAntonio Canova, Sculpture, Art theory, Display, Reception theory.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9789048557509?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9789048557509
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9789048557509/original
942 _cEB
999 _c302668
_d302668