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_a9798887192529 _qPDF  | 
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_a10.1515/9798887192529 _2doi  | 
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| 035 | _a(DE-B1597)9798887192529 | ||
| 035 | _a(DE-B1597)666364 | ||
| 035 | _a(OCoLC)1380431447 | ||
| 040 | 
_aDE-B1597 _beng _cDE-B1597 _erda  | 
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_aN72.S49 _bQ34 2023  | 
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_aN72.S49 _bQ34 2023  | 
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_aART066000 _2bisacsh  | 
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| 082 | 0 | 4 | 
_a700/.4538 _223/eng/20230523  | 
| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 0 | 
_aQueer(ing) Russian Art : _bRealism, Revolution, Performance / _ced. by Brian James Baer, Yevgeniy Fiks.  | 
| 264 | 1 | 
_aBoston, MA : _bAcademic Studies Press, _c[2023]  | 
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| 264 | 4 | _c©2023 | |
| 300 | _a1 online resource (402 p.) | ||
| 336 | 
_atext _btxt _2rdacontent  | 
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| 337 | 
_acomputer _bc _2rdamedia  | 
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| 338 | 
_aonline resource _bcr _2rdacarrier  | 
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| 347 | 
_atext file _bPDF _2rda  | 
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| 490 | 0 | _aMyths and Taboos in Russian Culture | |
| 505 | 0 | 0 | 
_tFrontmatter -- _tContents -- _tAcknowledgments -- _tNote on Transliteration -- _tIntroduction -- _tPart One. Theoretical Framings -- _t1. Between Semiotics and Phenomenology: The Problem of Queer Beauty -- _tPart Two. Queer Beauty in Context -- _t2. “In Appearance, Both a Lad and Lass”: Images of Androgyny in Eighteenth-Century Russian Art -- _t3. The Queer Opacity of Alexander Ivanov’s Nudes: Between Biblical Themes and Greek Love -- _t4. Prostitutes, Pierrots, and Priapus: The Queer Modernism of Konstantin Somov -- _t5. Modernism as the Uncanny of Stalinism: On Alexander Deineka’s Wartime Drawings -- _t6. Carnivalesque Carnality: The Queer Potential of Sergei Eisenstein’s Homoerotic Drawings -- _t7. Moscow Conceptualism’s Erotic Objects -- _t8. Queering Socialist Realism: The Case of Georgy Guryanov -- _t9. A Russian Schizorevolution?Observations on the New Academy of Fine Arts and Queer Issues in the Late 1980s and Early 1990s -- _t10. The Lure of Implied Transgression as Revolutionary Retrospective: The Illicit as la Belleza in Bella Matveeva’s Art -- _t11. Sexual and Gender Dissent in a Bipolar World: Georgy Guryanov and Vladislav Mamyshev-Monroe -- _t12. “My Nationaliti Is My Sexuality”: The Post-Soviet, Migrant, Non-Russian Queerness of Babi Badalov -- _tPart Three. Beyond Queer Beauty? Contemporary Post-Soviet Perspectives on Queer(ing) Art, Art History, and Artists -- _t13. Architecture, Outer Space, Sex: The Kollontai Commune in 1970s Frunze -- _t14. Soviet Union, July 1991 -- _t15. LGBT Violence and the Limits of Realism: Polina Zaslavskaya’s Material Evidence -- _t16. The Battle over Names: Radical Queer on the Russian Activist Art Scene -- _t17. Queer in the Land of the Bolsheviks, or the Archeology of Dissent -- _t18. A Queer (Re)claiming of Russian and Soviet Art: An Interview 345with Slava Mogutin -- _t19. “Queer and Russian Art?” A Conversation between Katharina Wiedlack and Masha Godovannaya -- _t20. Queering Sexual Minorities: An Interview with Yevgeniy Fiks -- _tIndex  | 
| 506 | 0 | 
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star  | 
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| 520 | _aWhile the topic of queer sexuality in imperial Russia and the Soviet Union has been investigated for decades by scholars working in the fields of sociology, history, literary studies, and musicology, it has yet to be studied in any comprehensive or systematic way by those working in the visual arts. Queer(ing) Russian Art: Realism, Revolution, Performance is meant to address this lacuna by providing a platform for new scholarship that connects "Russian" art with queerness in a variety of ways. Situated at the intersection of Visual Studies and Queer Studies and working from different theoretical and disciplinary perspectives, the contributors expose and explore the queer imagery and sensibilities in works of visual art produced in pre-Soviet, Soviet and post-Soviet contexts and beneath the surface of conventional histories of Russian and Soviet art. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Jun 2024) | |
| 650 | 0 | 
_aArt and society _zRussia (Federation)  | 
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| 650 | 0 | 
_aArt and society _zRussia (Federation).  | 
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| 650 | 0 | 
_aArt and society _zSoviet Union.  | 
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| 650 | 0 | _aHomosexuality in art. | |
| 650 | 0 | _aSex and art. | |
| 650 | 0 | _aSexual minorities in art. | |
| 650 | 7 | 
_aART / LGBTQ+ Artists. _2bisacsh  | 
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| 653 | _aQueerness. | ||
| 653 | _aRussian/Soviet/Post-Soviet art. | ||
| 653 | _aart criticism. | ||
| 653 | _aart history. | ||
| 653 | _aart. | ||
| 653 | _ahistory of Russian/Soviet/Post-Soviet art. | ||
| 653 | _aqueer art. | ||
| 653 | _aqueer theory. | ||
| 653 | _aqueer. | ||
| 653 | _avisual studies. | ||
| 700 | 1 | 
_aAckerman, Ada _eautore  | 
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| 700 | 1 | 
_aBaer, Brian James _eautore _ecuratore  | 
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| 700 | 1 | 
_aEngström, Maria _eautore  | 
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| 700 | 1 | 
_aFiks, Yevgeniy _eautore _ecuratore  | 
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| 700 | 1 | 
_aFioletovoe, Seroe _eautore  | 
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| 700 | 1 | 
_aGoscilo, Helena _eautore  | 
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| 700 | 1 | 
_aIvanov, Nikolai _eautore  | 
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| 700 | 1 | 
_aKalinsky, Yelena _eautore  | 
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| 700 | 1 | 
_aKhlobystin, Andrei _eautore  | 
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| 700 | 1 | 
_aKhoroshilova, Olga _eautore  | 
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| 700 | 1 | 
_aMamedov, Georgy _eautore  | 
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| 700 | 1 | 
_aNapreenko, Gleb _eautore  | 
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| 700 | 1 | 
_aOsminkin, Roman _eautore  | 
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| 700 | 1 | 
_aPlungian, Nadia _eautore  | 
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| 700 | 1 | 
_aShatalova, Oksana _eautore  | 
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| 700 | 1 | 
_aShental, Andrey _eautore  | 
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| 700 | 1 | 
_aSmirnova-Maizel, Viktoria _eautore  | 
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9798887192529 | 
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9798887192529 | 
| 856 | 4 | 2 | 
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9798887192529/original  | 
| 942 | _cEB | ||
| 999 | 
_c302763 _d302763  | 
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