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_a9780292772403 _qPDF |
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| 024 | 7 |
_a10.7560/768192 _2doi |
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| 035 | _a(DE-B1597)9780292772403 | ||
| 035 | _a(DE-B1597)673210 | ||
| 035 | _a(OCoLC)1414455658 | ||
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_aDE-B1597 _beng _cDE-B1597 _erda |
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_aART000000 _2bisacsh |
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_a741.6/74 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aPatoski, Joe Nick _eautore |
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| 245 | 1 | 0 |
_aHomegrown : _bAustin Music Posters 1967 to 1982 / _cJoe Nick Patoski, Nels Jacobson; ed. by Alan Schaefer. |
| 264 | 1 |
_aAustin : _bUniversity of Texas Press, _c[2023] |
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| 264 | 4 | _c2015 | |
| 300 | _a1 online resource (176 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 | _aSouthwestern Writers Collection Series, Wittliff Collections at Texas State University | |
| 505 | 0 | 0 |
_tFrontmatter -- _tCONTENTS -- _tPREFACE -- _tIt All Started Here -- _tColorful Tales & Early Techniques -- _tPosters -- _tVULCAN GAS COMPANY -- _tBLUES PORTRAITS -- _tREIMAGINING TEXAS -- _tTRAVELING BANDS -- _tPUNK AND THE NEW WAVES -- _tLIST OF POSTERS -- _tBIBLIOGRAPHY -- _tACKNOWLEDGMENTS |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aBefore Austin became the “live music capital of the world” and attracted tens of thousands of music fans, it had a vibrant local music scene that spanned late sixties psychedelic and avant-garde rock to early eighties punk. Venues such as the Vulcan Gas Company and the Armadillo World Headquarters hosted both innovative local musicians and big-name touring acts. Poster artists not only advertised the performances—they visually defined the music and culture of Austin during this pivotal period. Their posters promoted an alternative lifestyle that permeated the city and reflected Austin’s transformation from a sleepy university town into a veritable oasis of underground artistic and cultural activity in the state of Texas. This book presents a definitive survey of music poster art produced in Austin between 1967 and 1982. It vividly illustrates four distinct generations of posters—psychedelic art of the Vulcan Gas Company, early works from the Armadillo World Headquarters, an emerging variety of styles from the mid-1970s, and the radical visual aesthetic of punk—produced by such renowned artists as Gilbert Shelton, Jim Franklin, Kerry Awn, Micael Priest, Guy Juke, Ken Featherston, NOXX, and Danny Garrett. Setting the posters in context, Texas music and pop-culture authority Joe Nick Patoski details the history of music posters in Austin, and artist and poster art scholar Nels Jacobson explores the lives and techniques of the artists. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024) | |
| 650 | 0 |
_aPopular music _zTexas _zAustin _xHistory and criticism. |
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| 650 | 0 |
_aPosters, American _zTexas _zAustin _y20th century. |
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| 650 | 7 |
_aART / General. _2bisacsh |
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| 700 | 1 |
_aJacobson, Nels _eautore |
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| 700 | 1 |
_aPatoski, Joe Nick _eautore |
|
| 700 | 1 |
_aSchaefer, Alan _ecuratore |
|
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.7560/768192 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780292772403 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780292772403/original |
| 942 | _cEB | ||
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_c303117 _d303117 |
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