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020 _a9783110779233
_qprint
020 _a9783110779431
_qEPUB
020 _a9783110779417
_qPDF
024 7 _a10.1515/9783110779417
_2doi
035 _a(DE-B1597)9783110779417
035 _a(DE-B1597)613694
035 _a(OCoLC)1425556288
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPN1995.9.P63
_bL56 2024
072 7 _aLIT004130
_2bisacsh
082 0 4 _a791.43/6526942
_223/eng/20240404
084 _aonline - DeGruyter
100 1 _aLindemann, Tim
_eautore
245 1 0 _aNew Rural Cinema :
_bLandscape, Community and Poverty in Recent US Indie Films /
_cTim Lindemann.
264 1 _aBerlin ;
_aBoston :
_bDe Gruyter,
_c[2024]
264 4 _c2024
300 _a1 online resource (VII, 237 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aFilm, Class, Society ;
_v2
502 _aPhD
_cQueen Mary, London
_d2022.
505 0 0 _tFrontmatter --
_tAcknowledgements --
_tContents --
_tIntroduction --
_tChapter One Against the “Propertied Gaze” – Rural Poverty in the United States and its Cinematic Representations --
_tChapter Two From Landschaft to Landscape: Perspectives and Transformations in Geography and the Cinema --
_tChapter Three Wild Country – National Identity and Landscape in the United States --
_tChapter Four Disrupted Geography and the Criminal Margins – Winter’s Bone (2010) --
_tChapter Five The Wilderness Illusion – Leave No Trace (2018) --
_tChapter Six Landscapes in Terminal Crisis: Beasts of the Southern Wild (2012) --
_tChapter Seven Vestiges of Oppression: Ballast (2008) --
_tConclusion Towards a “Landscape Consciousness”? --
_tBibliography --
_tSelected Filmography — New Rural Cinema --
_tGeneral Filmography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aIn the past decade, spanning from the aftermath of the 2008 financial crisis to the beginning of the Covid-19 pandemic, rural poverty in the United States has risen dramatically. The impact of the pandemic is set to intensify these inequalities as the decades of neoliberal dismantling of public healthcare and other social institutions leave inhabitants of impoverished rural areas particularly vulnerable.Even before this current exacerbation, representations of rural landscape in American cinema have sought to spatially visualize the country’s social inequalities and focus on the victims of poverty and marginalization. The films discussed in this monograph, Ballast (2008), Winter’s Bone (2010), Beasts of the Southern Wild (2012), and Leave No Trace (2018), address deep rural poverty in a complex manner and facilitate an interactive, social understanding of landscape.New Rural Cinema suggest a novel way of looking at landscape in cinema that responds to and guides its readers through this recent development in American Independent film. It views the chosen films as expressions of a growing awareness of the dire inequality caused by neoliberal capitalism in the United States and the role landscape plays both in its mechanisms of social exclusion as well as in its collective contestation.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024)
650 0 _aCountry life in motion pictures.
650 0 _aIndependent films
_zUnited States
_xHistory.
650 0 _aPoor in motion pictures.
650 4 _aArmut im Kino.
650 4 _aFilmgeographie.
650 4 _aLändliches Amerika.
650 4 _aUS Indie Film.
650 7 _aLITERARY CRITICISM / European / General.
_2bisacsh
653 _aCinematic Precarity.
653 _aFilm Geography.
653 _aRural America.
653 _aUS Indie Cinema.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9783110779417
856 4 0 _uhttps://www.degruyter.com/isbn/9783110779417
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9783110779417/original
942 _cEB
999 _c303328
_d303328