000			03949nam a22005415i 4500
001			305588
003			IT-RoAPU
005			20250106151119.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			240826t20072007nyu fo d z eng d
020			_a9781800735101 _qPDF
024	7		_a10.1515/9781800735101 _2doi
035			_a(DE-B1597)9781800735101
035			_a(DE-B1597)700894
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aNX514.A1
072		7	_aSOC000000 _2bisacsh
082	0	4	_a700.972 _222
084			_aonline - DeGruyter
100	1		_aSegre, Erica _eautore
245	1	0	_aIntersected Identities : _bStrategies of Visualisation in 19th and 20th Century Mexican Culture / _cErica Segre.
264		1	_aNew York ; _aOxford : _bBerghahn Books, _c[2007]
264		4	_c2007
300			_a1 online resource (304 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aRemapping Cultural History ; _v5
505	0	0	_tFrontmatter -- _tContents -- _tList of Illustrations -- _tAcknowledgements -- _tAbbreviations -- _tIntroduction: A Tradition of Intersections? Interdisciplinary Slippages, Borrowings and Collaborations in Mexican Visual Culture -- _tChapter 1 The Development of Costumbrista: Iconography and Nation-building Strategies in Literary Periodicals of the Mid-Nineteenth Century -- _tChapter 2 An Italicised Ethnicity: Memory, Renascence and Visuality in the Literary Writings of Ignacio Manuel Altamirano -- _tChapter 3 Visualising Mexico: The Interplay of Graphic Arts and Film in the 1930s and 1940s -- _tChapter 4 Reframing the City: Images of Displacement in Urban Films and the Visual Arts of the 1940s and 1950s -- _tChapter 5 Allegory, Self-Reflexivity and Irony: A Photographic Genealogy -- _tChapter 6 The Poetics of Skin: Surface and Inscription in Contemporary Photography -- _tChapter 7 The Hermeneutics of the Veil in Photography: Of Rebozos, Sábanas, Huipiles and Lienzos de Verónica -- _tChapter 8 Relics and Disjecta in Modernism and Post-Modernism: A Comparative Study of Archaeology in Contemporary Photography and Multimedia Art -- _tBibliography -- _tINDEX
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aThere has always been an important visual element to the construction and questioning of national identity in post-Independence Mexico, though one that has not always been given its due, outside of the celebrated and much-studied muralists. Ranging from the early nineteenth century to the present – from the vogue for the picturesque, illustrated periodicals and the influential writings of Altamirano to a wealth of twentieth-century graphic artists, filmmakers and photographers – this book re-examines the complex variety of ways in which that visual element has operated. In particular, it looks at the ways in which discourses concerning ethnicity and cultural hybridity have been echoed and transformed in Mexican visual culture, resulting in fields of visual discourse which are eclectic and increasingly self-reflexive.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024)
650		0	_aArts and society _zMexico.
650		0	_aArts, Mexican _y19th century.
650		0	_aArts, Mexican _y20th century.
650		0	_aNational characteristics, Mexican.
650		0	_aVisual communication.
650		7	_aSOCIAL SCIENCE / General. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781800735101?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9781800735101
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781800735101/original
942			_cEB
999			_c305588 _d305588