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| 008 | 241120t20242024nju fo d z eng d | ||
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_a9781978837911 _qPDF |
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| 035 | _a(DE-B1597)9781978837911 | ||
| 035 | _a(DE-B1597)725818 | ||
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_aDE-B1597 _beng _cDE-B1597 _erda |
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_aLIT000000 _2bisacsh |
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| 082 | 0 | 4 | _a820.93587291 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aPage, Kezia _eautore |
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| 245 | 1 | 0 |
_aInside Tenement Time : _bSuss, Spirit, and Surveillance / _cKezia Page. |
| 264 | 1 |
_aNew Brunswick, NJ : _bRutgers University Press, _c[2024] |
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| 264 | 4 | _c2024 | |
| 300 |
_a1 online resource (184 p.) : _b1 color and 3 B-W images |
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| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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| 490 | 0 | _aCritical Caribbean Studies | |
| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tIntroduction: Flexible Hegemonies: The Tivoli Incursion and the History of Surveillance in Jamaica -- _t1 In the Shadow of the Wall: Suss and Sussveillance in the Yard Fiction of H. G. de Lisser -- _t2 “The Dungle Is an Obeah Man”: Spiritveillance in The Children of Sisyphus -- _t3 Smile Jamaica, for the Camera: Performance and Surveillance in 1970s Jamaica -- _t4 Bongo Futures after Tivoli: The Reggae Revival and Its Genealogies -- _tCoda -- _tAcknowledgments -- _tNotes -- _tReferences -- _tIndex -- _tAbout the Author -- _tAvailable titles in the Critical Caribbean Studies series |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aInside Tenement Time is the first comprehensive treatment of literary and cultural texts on surveillance in the Caribbean. Covering the long historical arc of the twentieth to the twenty-first centuries, Inside Tenement Time uses Jamaica as a case study to examine moments of crisis and particular spaces, especially urban yard enclaves and their environs, in the Caribbean encounter with surveillance. Making the argument that the Caribbean situation reveals flexible hegemonies rather than provinces of exclusive control, the book demonstrates the countervailing force of sussveillance and spiritveillance, Afro-Indigenous variations on surveillance. Sussveillance and spiritveillance are exemplars of vernacular arts and sciences that operate at and within the frangible borders of state power, exposing the unique dynamics of surveillance in the region and marshalling the acts of imagination with which it contends. For example, the Smile Jamaica concert of 1976, headlined by reggae Superstar Bob Marley, and the reputedly US government-backed 2010 Tivoli Gardens incursion in West Kingston, both moments that have dramatic, even mythic residue in Caribbean and global memory, are among the real-life events brought into conversation with literary representations of this history. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024) | |
| 650 | 7 |
_aLITERARY CRITICISM / General. _2bisacsh |
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| 653 | _aCaribbean, Jamaica, Jamaican literature, literature, surveillance, Caribbean studies, africana studies, English literature, Smile Jamaica, Tivoli Gardens, reggae, yard, urban. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781978837911 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781978837911/original |
| 942 | _cEB | ||
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_c305640 _d305640 |
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