000			06161nam a22008055i 4500
001			305778
003			IT-RoAPU
005			20250106151455.0
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008			241120t20242024gw fo d z eng d
020			_a9783110773385 _qprint
020			_a9783110773835 _qEPUB
020			_a9783110773729 _qPDF
024	7		_a10.1515/9783110773729 _2doi
035			_a(DE-B1597)9783110773729
035			_a(DE-B1597)612620
035			_a(OCoLC)1453645522
040			_aDE-B1597 _beng _cDE-B1597 _erda
082	0	4	_85p _a880 _qDE-101
084			_aonline - DeGruyter
245	0	0	_aClassical Reception : _bNew Challenges in a Changing World / _ced. by Anastasia Bakogianni, Luis Unceta Gómez.
264		1	_aBerlin ; _aBoston : _bDe Gruyter, _c[2024]
264		4	_c2024
300			_a1 online resource (XIV, 419 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aTrends in Classics – Pathways of Reception , _x2629-2556 ; _v9
505	0	0	_tFrontmatter -- _tAcknowledgments -- _tContents -- _tList of Figures -- _tIntroduction: Classical Reception in the Early 2020s, Critical Times and Where to Next? -- _tPart I: Concepts, Methods, and Intersections in Classical Reception -- _tSection 1: Re-Thinking Classical Reception -- _tThe Master’s Tools?: Towards a Politics of Reception -- _tClassics on the Surface: Classical Reception as an Emergent Process -- _tMasked Celluloid Classics? Shadows of Clytemnestra in Film Noir -- _tSection 2: Working with Archives -- _tThe “Advent of the New Rule”: An Oresteia (1947) in Prague and the Epistemological Limits of Archivalia -- _tKarolos Koun’s Art Theatre, the Greek Dictatorship, and the Ford Foundation: From Handout to Handshake -- _tNarcissus, Adonis, and Medusa: Troubled Beauty in Classical Receptions of Film Stardom -- _tSection 3: Cultural Intersections -- _tMocking the Hollywood Epic Canon: Parodies of the Classical World from Latin American Cinema’s Studio Era -- _tSuspended Temporalities and Classical Reception: Cassandra in Anne Carson’s Agamemnon -- _tManga and the Power of the Classical Object: The Merging of Eastern and Western Traditions -- _tPart II: Classical Receptions in Response to Societal Challenges -- _tSection 4: Forming and Re-Negotiating Identities -- _tCripping Venus: Intersections of Classics and Disability Studies in Contemporary Receptions of the Venus de Milo -- _tSocial Justice-Engaged Reception Pedagogy at Wake Forest University -- _tClassics on the Italian Stage: Old Habits and ‘New Deals’ -- _tSection 5: Greek Tragedy in a Time of Pandemic -- _tTragedy as an Open Network: Antigone in Ferguson (2016–) and The Nurse Antigone (2022–2023) -- _t“Where’s the Body?”: Performing Iphigenia at Aulis in New Zealand during the Pandemic (2020) -- _tSection 6: Engaging with Technology and the Wider Public -- _tEscaping Hades: Playing with Classical Reception -- _tClassical Reception Meets Pedagogy: The Creation and Uses of the Panoply Vase Animation Project's Our Mythical Childhood and Locus Ludi Animations -- _tList of Contributors -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aIn a time of acute crisis when our societies face a complex series of challenges (race, gender, inclusivity, changing pedagogical needs and a global pandemic) we urgently need to re-access the nature of our engagement with the Classical World. This edited collection argues that we need to discover new ways to draw on our discipline and the material it studies to engage in meaningful ways with these new academic and societal challenges. The chapters included in the collection interrogate the very processes of reception and continue the work of destabilising the concept of a pure source text or point of origin. Our aim is to break through the boundaries that still divide our ancient texts and material culture from their reception, and interpretive communities. Our contributors engage with these questions theoretically and/or through the close examination of cultural artefacts. They problematise the concept of a Western, elitist canon and actively push the geographical boundaries of reception as both a local and a global phenomenon. Individually and cumulatively, they actively engage with the question of how to marshal the classical past in our efforts to respond to the challenges of our mutable contemporary world.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024)
650		0	_aCivilization, Classical _2DLC.
650		4	_aIdentität.
650		4	_aKlassische Antike.
650		4	_aKulturtransfer.
650		4	_aRezeption.
653			_aContemporary cultures.
653			_aCultural transfers.
653			_aIdentities.
653			_aMethodological reassessment.
700	1		_aBakogianni, Anastasia _eautore _ecuratore
700	1		_aCameron, Hamish _eautore
700	1		_aDeniz, Meryem _eautore
700	1		_aGellar-Goad, T. H. M. _eautore
700	1		_aGiannopoulou, Zina _eautore
700	1		_aHines, Caitlin _eautore
700	1		_aKubic, Amanda _eautore
700	1		_aNevin, Sonya _eautore
700	1		_aNikoloutsos, Konstantinos P. _eautore
700	1		_aPatrick, Declan _eautore
700	1		_aPotter, Amanda _eautore
700	1		_aSarkissian, Alena _eautore
700	1		_aTaietti, Guendalina D. M. _eautore
700	1		_aTreu, Martina _eautore
700	1		_aUnceta Gómez, Luis _eautore _ecuratore
700	1		_aVan Steen, Gonda _eautore
700	1		_aWeiner, Jesse _eautore
700	1		_aWilliams, Michael _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9783110773729
856	4	0	_uhttps://www.degruyter.com/isbn/9783110773729
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9783110773729/original
942			_cEB
999			_c305778 _d305778