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020 _a9783111365343
_qprint
020 _a9783111365541
_qPDF
024 7 _a10.1515/9783111365541
_2doi
035 _a(DE-B1597)9783111365541
035 _a(DE-B1597)669794
035 _a(OCoLC)1428167551
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aN87
_b.O27 2024
082 0 4 _a707
_223/eng/20240328
084 _aonline - DeGruyter
245 0 4 _aThe Octopus :
_bOn Diversities, Art Production, Educational Models, and Curatorial Trajectories /
_ced. by Başak Şenova.
264 1 _aBerlin ;
_aBoston :
_bDe Gruyter,
_c[2024]
264 4 _c2024
300 _a1 online resource (256 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aEdition Angewandte ,
_x1866-248X
505 0 0 _tFrontmatter --
_tTABLE OF CONTENTS --
_tPreface --
_tCHAPTER 1: THE OCTOPUS --
_tThe Octopus Programme --
_tA Symphony of Thoughts (or Prologue to Cephalopod Conversations) --
_tThe Tentacles --
_tCHAPTER 2: THE TRAJECTORIES --
_tThe Poetic and the Political: The Octopus Programme in Its Institutional and Educational Signifi cance --
_tThe Experience of the Octopus --
_tArtistic Research as an Act of Self-Representation and Self-Determination (or Why I Choose to View My Work as Research) --
_tAn Extended Research Crossing Parallel Routes --
_tGrowing Tentacles of Imagination --
_tThe How Vis-à-Vis the What --
_tCHAPTER 3: THE CONTENT --
_tThe Structure --
_tPartnering Institutions --
_tCurators --
_tParticipants, Artistic Researches, and Projects --
_tContributions to Spectral Encounters --
_tTravelling across the Nodes --
_tArtist Videos --
_tArtist Talks and Presentations --
_tExhibitions --
_tPublications --
_tCHAPTER 4: THE PARALLEL --
_tIntroduction --
_tA Research of Doing --
_tIn The ZoNE --
_tCHAPTER 5: REFLECTIONS --
_tIdentity in a Globalised World --
_tOn Opportunities and Conditions --
_tThe Long-Term Commitment --
_tA Journey from Tunisia to Austria --
_tAn Experience of Diversity --
_tA Multipodic Adventure --
_tBecoming Octopodical (or Intertwined in Tentacular Love) --
_tThe Octopus and The Less Good Idea --
_tMentoring in the Octopus Programme --
_tBiographies: Curators and Authors --
_tImage Credits --
_tAcknowledgements
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aDiversity in artistic research This book presents the results of the Octopus Programme, an innovative fellowship in the field of artistic research. This international network of eleven institutions included selected participants from Europe, the Mediterranean, and Africa, and generated numerous events, workshops, and exhibitions. By promoting international collaboration, new critical perspectives were developed to investigate the diversity of artistic research and practice in different contexts – academic as well as nonacademic – inside and outside institutions, or in relation to resources. This brings into focus not only different curatorial models, but also different modes of knowledge production. Artistic research and collaboration between academies, art institutions, students, and experts Curatorial forms of presentation, research and documentation, progressive educational methodology Contributions by Ruth Anderwald / Leonhard Grond, Jonatan Habib Engqvist, Maria Lantz, Barbara Putz-Plecko, Johan Thom, and others
520 _aVielfalt in der künstlerischen Forschung Dieses Buch versammelt die Ergebnisse des Octopus Programme – ein innovatives Fellowship im Bereich der künstlerischen Forschung. Es entstand ein internationales Netzwerk aus elf Institutionen, mit ausgewählten Teilnehmer:innen aus Europa, dem Mittelmeerraum und Afrika, mit zahlreichen Veranstaltungen, Workshops und Ausstellungen. Durch die Förderung internationaler Kollaborationen wurden neue kritische Perspektiven entwickelt, zur Untersuchung der Vielfalt künstlerischer Forschung und Praxis in unterschiedlichen Kontexten – im akademischen und nicht akademischen Bereich, innerhalb und außerhalb von Institutionen oder in Bezug auf Ressourcen. Damit rücken nicht nur unterschiedliche kuratorische Modelle, sondern auch unterschiedliche Modelle der Wissensproduktion in den Fokus. Künstlerische Forschung und Zusammenarbeit zwischen Akademien, Kunstinstitutionen, Studierenden, Expert:innen Kuratorische Präsentationsformen, Forschungs- und Dokumentationsprozesse, progressive Bildungsmethodik Beiträge von Ruth Anderwald / Leonhard Grond, Jonatan Habib Engqvist, Maria Lantz, Barbara Putz-Plecko, Johan Thom u. a.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024)
650 0 _aArt
_xResearch.
650 4 _aBildung.
650 4 _aDiversität.
650 4 _aInterdisziplinäre Forschung.
650 4 _aKünstlerische Forschung.
650 4 _aZeitgenössische Kunst.
653 _aArtistic research.
653 _acontemporary art.
653 _adiversity.
653 _aeducation.
653 _ainterdisciplinary research.
700 1 _aAnderwald, Ruth
_eautore
700 1 _aBafra, Çelenk
_eautore
700 1 _aCalovski, Yane
_eautore
700 1 _aFeki, Olfa
_eautore
700 1 _aGrond, Leonhard
_eautore
700 1 _aHabib Engqvist, Jonatan
_eautore
700 1 _aIvanoska, Hristina
_eautore
700 1 _aJäger, Johannes
_eautore
700 1 _aKlontz, Anne
_eautore
700 1 _aLace, Bronwyn
_eautore
700 1 _aLantz, Maria
_eautore
700 1 _aMiedl-Faißt, Verena
_eautore
700 1 _aMustonen, Maarit
_eautore
700 1 _aNeustetter, Marcus
_eautore
700 1 _aOddo, Egle
_eautore
700 1 _aPutz-Plecko, Barbara
_eautore
700 1 _aShqeirat, Renad
_eautore
700 1 _aTaboubi, Bochra
_eautore
700 1 _aThom, Johan
_eautore
700 1 _aŞenova, Başak
_eautore
_ecuratore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9783111365541
856 4 0 _uhttps://www.degruyter.com/isbn/9783111365541
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9783111365541/original
942 _cEB
999 _c306082
_d306082