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001 306128
003 IT-RoAPU
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008 241120t20242024gw fo d z eng d
020 _a9783111384634
_qprint
020 _a9783111384696
_qPDF
024 7 _a10.1515/9783111384696
_2doi
035 _a(DE-B1597)9783111384696
035 _a(DE-B1597)672072
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aN7433.8
_b.F73 2024
072 7 _aART015110
_2bisacsh
082 0 4 _a776
_223
084 _aonline - DeGruyter
100 1 _aFrank, Patrick
_eautore
245 1 0 _aArt of the 1980s :
_bAs If the Digital Mattered /
_cPatrick Frank.
264 1 _aBerlin ;
_aBoston :
_bDe Gruyter,
_c[2024]
264 4 _c2024
300 _a1 online resource (160 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tAcknowledgments --
_tIntroduction: Rethinking 1980s Art --
_tJoseph Nechvatal and the Ecstasy of Communication --
_tLynn Hershman Leeson: Out of Place --
_tGeorge Legrady: News and/as Noise --
_tGretchen Bender, Computer Graphics, and Fascism --
_tNancy Burson: Digitizing the Non-Visible --
_tConclusion: Varying Fortunes After the 1980s --
_tBibliography of Printed Sources --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aWer sind die wichtigen Künstler*innen der 1980er-Jahre? Dieses Buch fordert eine Revision dieser Frage angesichts der Bedeutung des Digitalen in der Gegenwart. Die betrachteten Künstler*innen nahmen in ihrem Umgang mit neuer Technologie Vieles vorweg, was uns heute beschäftigt. Joseph Nechvatal schuf ausdrucksstarke digitale Bilder und setzte diese Computerviren aus. Lynn Hershman Leeson stellte mit ersten interaktiven Arbeiten für Bildplatte eine Verbindung zwischen Kunst und Gaming her. Nancy Burson sah das multikulturelle Amerika voraus, als sie Fotografien diverser Personen digital überlagerte. George Legrady war einer der Ersten, die Presse-Bilder digital manipulierten und dies als Kunst präsentierten. Gretchen Benders Einsatz digitaler Bildsprache wurde bislang nie hinreichend erörtert. Wenn das Digitale eine Rolle spielt, dann auch diese Künstler*innen.
520 _aWho are the important artists of the 1980s? This book urges a new look at that question in light of the digital direction of our culture since then. Specifically, five artists used advanced technology during that decade in ways that foreshadow many of today’s concerns. Joseph Nechvatal created expressive digital images, and then infected them with computer viruses. Lynn Hershman Leeson created the first interactive work for videodisk, creating a bridge between art and gaming. Nancy Burson foresaw multicultural America when she digitally blended photographs of diverse persons. George Legrady was among the first artists to digitally manipulate news images and offer the results as art. Gretchen Bender’s use of digital imagery in her work has never been adequately discussed. If the digital matters, then these artists should also matter.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024)
650 0 _aArt, Modern
_y20th century.
650 0 _aComputer art
_xHistory
_y20th century.
650 4 _a1980er Jahre.
650 4 _a20. Jahrhundert.
650 4 _aGeorge Legrady.
650 4 _aGretchen Bender.
650 4 _aJoseph Nechvatal.
650 4 _aKunst.
650 4 _aLynn Hershman Leeson.
650 4 _aNancy Burson.
650 4 _aNeue Medien.
650 4 _adigitale Kunst.
650 7 _aART / History / Contemporary (1945-).
_2bisacsh
653 _a1980s.
653 _a20th century.
653 _aGeorge Legrady.
653 _aGretchen Bender.
653 _aJoseph Nechvatal.
653 _aLynn Hershman Leeson.
653 _aNancy Burson.
653 _aNew Media.
653 _aart.
653 _adigital art.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9783111384696
856 4 0 _uhttps://www.degruyter.com/isbn/9783111384696
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9783111384696/original
942 _cEB
999 _c306128
_d306128