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008			241120t20242024gw fo d z eng d
020			_a9783111495835 _qprint
020			_a9783111502700 _qEPUB
020			_a9783111502618 _qPDF
024	7		_a10.1515/9783111502618 _2doi
035			_a(DE-B1597)9783111502618
035			_a(DE-B1597)685762
035			_a(OCoLC)1455296314
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aLIT006000 _2bisacsh
084			_aonline - DeGruyter
245	0	0	_aAmbiguity and Narratology : _bInterdisciplinary Perspectives and Diachronic Case Studies / _ced. by Simon Grund, Robert Kirstein, Julian Wagner.
264		1	_aBerlin ; _aBoston : _bDe Gruyter, _c[2024]
264		4	_c2024
300			_a1 online resource (VIII, 276 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aNarratologia : Contributions to Narrative Theory , _x1612-8427 ; _v92
505	0	0	_tFrontmatter -- _tEditors’ Preface -- _tContents -- _tI Introduction -- _tForeword – Why Ambiguity and Narratology? -- _tAmbiguous Narration – Narrative Ambiguity: Theoretical Reflections on Terms and Concepts -- _tII ‘Text’ and ‘Text’-Producers -- _tBeyond the Text: The Performative Mediality of Ovid’s Metamorphoses -- _tThe Author’s Speech: Empirical Perspectives on Speaker Attribution in Narrative Fiction -- _tIII ‘Story’ and Narrative Devices -- _tTime and Ambiguity: Aesthetic Temporalities and the Ambiguity of Event in Goethe’s Wilhelm Meisters Wanderjahre oder die Entsagenden -- _tPoisonous Rumours: Creating Ambiguity in Death-Scenes in Tacitus’ Annals -- _tIV ‘Fabula’ and the Narrative Content of Fictional Worlds -- _tVisual Narration and Ambiguity: Two Case Studies -- _tIt Might Be Not Impossible: Negation, Ambiguity and the Role of the Narrator in Early-Modern Utopian Narrations -- _tFacing The Other: Ambiguous Story Worlds in the Fiction of Susanna Clarke -- _tV Narration and Communication -- _tIpse Dixit: (Dis)Ambiguating Quotations in Suetonius’ Lives of the Caesars -- _t‘If Anyone Among this People …’: Ambiguity and Multiple Addressing in Latin Literature (Plautus, Catullus, Ovid, Thomas Morus) -- _tList of Authors -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aAs a well-known phenomenon in everyday communication, ambiguity has increasingly become the subject of interdisciplinary research in recent years. However, within this context, it has been observed that words or expressions situated within the artistic framework of storytelling have not yet been at the centre of research interest. This book aims to bridge this gap by examining the phenomenon of ambiguity from the perspective of narratology – understood as a general theory of narration and narrative communication. The volume pursues two goals: Firstly, it seeks to demonstrate that the interdisciplinary combination of linguistics, cultural history and narratology enriches the field of literary studies significantly. This focus not only highlights how narrative techniques often rely on everyday language conventions, but also explores how various textual features, narrative devices, or even entire storylines can be affected by phenomena (or lead to experiences) of ambiguity. These ambiguities often serve as poetic strategies that are deliberately set in the communicative process of text and reader to achieve certain narrative goals. Secondly, ambiguity – as a characteristic of (narrative) communication – seves as a linking element across different fictional (and factual) text types and genres throughout time and cultures. The collected essays cover a wide range of narrative texts, from Roman comedy to funerary reliefs, from historiographical writings to utopian tales, from Goethe’s novels to contemporary fantasy literature. In its broad approach, the volume thus contributes to the project of diachronic narratology, which, like the research on ambiguity in literary and cultural studies, has recently gained increasing momentum. The combined consideration of ambiguity and narratology not only raises awareness of phenomena of ambiguity in narrative texts but also encourage reflection on the theoretical foundations of narrative, particularly on the methods and devices used to describe these ambiguous structures. Overall, the volume represents an exploration of a relatively unexplored interdisciplinary field, aiming to stimulate further research.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024)
650		4	_aAmbiguität.
650		4	_aDiachrone Narratologie.
650		4	_aLiteratur und Linguistik.
650		7	_aLITERARY CRITICISM / Semiotics & Theory. _2bisacsh
653			_aAmbiguity.
653			_adiachronic narratology.
653			_aliterature and linguistics.
700	1		_aBerg, Gerjanne van den _eautore
700	1		_aEmme, Burkhard _eautore
700	1		_aGalfré, Edoardo _eautore
700	1		_aGittel, Benjamin _eautore
700	1		_aGrund, Simon _eautore _ecuratore
700	1		_aGödeke, Luisa _eautore
700	1		_aKellermann, Jonas _eautore
700	1		_aKirstein, Robert _eautore _ecuratore
700	1		_aLangeloh, Jacob _eautore
700	1		_aVarachkina, Hanna _eautore
700	1		_aWabersich, Dominik _eautore
700	1		_aWagner, Julian _eautore _ecuratore
700	1		_aWeimer, Anna Mareike _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9783111502618
856	4	0	_uhttps://www.degruyter.com/isbn/9783111502618
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9783111502618/original
942			_cEB
999			_c306266 _d306266