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020 _a9783837641714
_qprint
020 _a9783839441718
_qPDF
024 7 _a10.1515/9783839441718
_2doi
035 _a(DE-B1597)9783839441718
035 _a(DE-B1597)566299
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aSOC022000
_2bisacsh
084 _aonline - DeGruyter
100 1 _aFranklin, M.I.
_eautore
245 1 0 _aChange the Record - Punk Women Music Politics /
_cM.I. Franklin.
264 1 _aBielefeld :
_btranscript Verlag,
_c[2024]
264 4 _c2024
300 _a1 online resource (154 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aEdition Kulturwissenschaft ;
_v165
505 0 0 _tFrontmatter --
_tTable of Contents --
_tLIST OF FIGURES --
_tACKNOWLEDGEMENTS --
_t1. INTRO --
_tTo the Front --
_tBeyond Fanstalgia --
_tWhat Makes Punk Music (Not)? --
_tReader Notes --
_tWhich Books and Why --
_tChapter Outline --
_tSetting Out --
_t2. MUSICIANS AS MEMOIRISTS --
_tPunk Performance Sexual Politics --
_tPunk Public Archives --
_tThe Memoirs: ‘Dear Reader’ --
_tOutro: Punk as Art --
_t3. FINDING VOICE --
_tIntro --
_tInto the Voice --
_tPunking up the Pop Rock Canon --
_tRebel Rebel --
_t4. GRRRLS WITH GUITARS --
_tIntro --
_tGuitars Guitars Guitars --
_tBodies Bodies Bodies: Woman with Guitar --
_tPunk Musica Practica --
_tOutro --
_t5. VANGUARD OR OLD GUARD? --
_tHip Priestess: Coat, Skirt, Hair, Hat --
_t’Punk and Poses‘ --
_tRace-Gender-Class Horizons --
_tSince – On Getting Younger --
_tNina Simone – She Who Did It First --
_t6. OUTRO --
_tSex, Gender and Public Culture --
_tHow Did We Get Here? --
_tListening to Music Writing --
_tPunk and Current Events --
_tFade Up --
_tAPPENDIX: THE MEMOIR-SET --
_tBIBLIOGRAPHY --
_tNOTES
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aPoets, Guitarists, Songwriters, TV Stars, Provocateurs, Riot Grrrl founders: the authors in this study challenge perceptions of punk music and politics. Viv Albertine, Alice Bag, Pauline Black, Carrie Brownstein, Kim Gordon, Nina Hagen, Chrissie Hynde, Patti Smith, Brix Smith Start, and Cosey Fanni Tutti have been breaking new ground in writing about their lives. They fill gaps in the historical record, back catalogues and perceptions of how music works as politics. They provide fans and music scholars with a corrective to androcentric studies of punk as a DIY politics of resistance to the mainstream. M.I. Franklin shows how they do this, along with ways to hear the personal and world politics inherent in their musical output.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024)
650 0 _aPunk culture
_xPolitical aspects.
650 0 _aPunk rock music
_xPolitical aspects.
650 0 _aWomen punk rock musicians.
650 4 _aCultural Studies.
650 4 _aGender Studies.
650 4 _aGender.
650 4 _aInternational Relations.
650 4 _aMusic.
650 4 _aPerformance Art.
650 4 _aPop Music.
650 4 _aPopular Culture.
650 4 _aRiot Grrrls.
650 4 _aWorld Politics.
650 7 _aSOCIAL SCIENCE / Popular Culture.
_2bisacsh
653 _aCultural Studies.
653 _aGender Studies.
653 _aGender.
653 _aInternational Relations.
653 _aMusic.
653 _aPerformance Art.
653 _aPop Music.
653 _aPopular Culture.
653 _aRiot Grrrls.
653 _aWorld Politics.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9783839441718?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9783839441718
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9783839441718/original
942 _cEB
999 _c307935
_d307935