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020 _a9783839470985
_qPDF
024 7 _a10.1515/9783839470985
_2doi
035 _a(DE-B1597)9783839470985
035 _a(DE-B1597)672708
035 _a(OCoLC)1428234526
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aLIT004020
_2bisacsh
084 _aonline - DeGruyter
100 1 _aHansen, Christopher Joseph
_eautore
245 1 0 _aWorld Construction via Networking :
_bThe Storytelling Mechanics of the Marvel Cinematic Universe /
_cChristopher Joseph Hansen.
264 1 _aBielefeld :
_btranscript Verlag,
_c[2024]
264 4 _c2024
300 _a1 online resource (364 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aLettre
505 0 0 _tFrontmatter --
_tContents --
_tIntroduction --
_t1 The Foundation --
_t1.1 Foundational Terms --
_t1.2 Foundational Theories – The Good, The Bad, and The Ugly --
_t1.3 Foundation for a New Terminology --
_t2 The Universe Model --
_tIntroduction --
_t2.1 Definition of Narrative Entity and Manifestation --
_t2.2 Elements of Governance --
_t2.3 Classification of Relationships --
_t3 The Mechanics --
_tIntroduction --
_t3.1 The MCU Network --
_tIntroduction --
_t3.1.1 The MCU Films --
_t3.1.2 The Marvel Netflix Universe (MNU) --
_t3.1.3 The ABC Series --
_t3.1.4 The Marvel Relationships --
_t3.1.5 Lack of Connection --
_t3.2 Understanding the Mechanics of The Marvel Cinematic Universe --
_t3.2.1 From Personal to Global to Cosmic and Beyond: Managing Expansion and Escalation --
_t3.2.2 It’s All Too Much: The Need for Clustering --
_t3.2.3 Escalating the Network: Audience Creation and Maintenance --
_t3.2.4 Endings and Beginnings Forever --
_t4 Reflections --
_t4.1 Reflection on Practice: A short look at other Universes --
_t4.2 Reflection on Theory: Researching Universes --
_tAfterword --
_tReferences --
_tPrimary Sources --
_tFilm --
_tSeries --
_tComics --
_tBooks --
_tInternet --
_tSecondary Sources --
_tInternet
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aWith the mainstream's growing acceptance of worlds and storytelling spread among several different texts - e.g., films, television series, novels, and comics - this pioneering study employs a multidisciplinary approach combining transmediality, network theory, and narratology to analyze the narrative network of the Marvel Cinematic Universe. In this analysis, Christopher Hansen thoroughly examines storytelling techniques while providing a fresh theoretical framework to develop a structural model for interconnected narratives. He redefines our understanding of narrative dynamics in one of the most successful cinematic franchises of all time.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024)
650 4 _aAmerican Studies.
650 4 _aComic.
650 4 _aLiterary Studies.
650 4 _aLiterature.
650 4 _aNarrative.
650 4 _aNarratology.
650 4 _aPopular Culture.
650 4 _aShared Universe.
650 4 _aWorldbuilding.
650 7 _aLITERARY CRITICISM / American / General.
_2bisacsh
653 _aAmerican Studies.
653 _aComic.
653 _aLiterary Studies.
653 _aLiterature.
653 _aNarrative.
653 _aNarratology.
653 _aPopular Culture.
653 _aShared Universe.
653 _aWorldbuilding.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9783839470985?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9783839470985
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9783839470985/original
942 _cEB
999 _c307979
_d307979