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020 _a9789048563067
_qPDF
024 7 _a10.1515/9789048563067
_2doi
035 _a(DE-B1597)9789048563067
035 _a(DE-B1597)700656
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aML1950
_b.Q85 2024
072 7 _aHIS045000
_2bisacsh
082 0 4 _a782.81
_223/eng/20241025
084 _aonline - DeGruyter
100 1 _aQuinn, Mary
_eautore
245 1 0 _aSense and Spectacle in the Age of Philip IV :
_bPerforming Empire in Word, Music, and Image /
_cMary Quinn.
264 1 _aAmsterdam :
_bAmsterdam University Press,
_c[2024]
264 4 _c2024
300 _a1 online resource (212 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aConnected Histories in the Early Modern World ;
_v11
505 0 0 _tFrontmatter --
_tTable of Contents --
_tList of Illustrations --
_tAcknowledgements --
_tIntroduction : Prince Felipe Próspero, Festival Culture, and the Performative Sense --
_t1. Calderón de la Barca, Rubens, and Apollo’s Desire --
_t2. Antonio de Solís, Velázquez, and Minerva’s Competition --
_t3. Naples, Opera, and Parthenope’s Song --
_t4. Florence, Cavalli, and Ipermestra’s Choice --
_t5. Parades, Poetry, and Plus Ultra in Lima and Manila --
_tEpilogue: Making Sense of Spectacle --
_tWorks Cited --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aThis book accounts for the outpouring of celebrations in the Habsburg Empire upon the 1657 birth of Felipe Próspero, heir to Philip IV of Spain. These celebrations allow us to interrogate the shifting uses of performance in the empire’s center and periphery. Such spectacles could work to contain and manipulate public sentiment, but at other moments they questioned sanctioned power structures. A study of zarzuela texts, opera libretti, notated music, paintings, poems, and historical documents shows that an array of people took advantage of this festive moment to question the empire’s policies in surprising ways. Sensorial experience played a crucial role during these celebrations. For its part, the Crown engaged a variety of senses, especially sight, sound, and smell, in order to augment the impact of royal spectacles. But simultaneously, those who questioned the Crown also did so through an engagement of the sensorial world.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024)
650 0 _aZarzuela.
650 4 _aAUP Wetenschappelijk.
650 4 _aAmsterdam University Press.
650 4 _aCultural Studies.
650 4 _aEarly Modern Studies.
650 4 _aFestivals, Theatre, and Performance.
650 4 _aHistory, Art History, and Archaeology.
650 4 _aLiterary Theory, Criticism, and History.
650 7 _aHISTORY / Europe / Spain & Portugal.
_2bisacsh
653 _aFestival, Senses, Habsburg Empire, Philip Prosper, Performance.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9789048563067?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9789048563067
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9789048563067/original
942 _cEB
999 _c308181
_d308181