000			03586nam a22005175i 4500
001			308247
003			IT-RoAPU
005			20250106152714.0
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007			cr || ||||||||
008			241120t20242024si fo d z eng d
020			_a9789815203257 _qPDF
024	7		_a10.1355/9789815203257 _2doi
035			_a(DE-B1597)9789815203257
035			_a(DE-B1597)690346
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aDS740.5.I56 _bH66 2024
072		7	_aPOL011010 _2bisacsh
082	0	4	_a327.510598 _223
084			_aonline - DeGruyter
100	1		_aYau Hoon, Chang _eautore
245	1	0	_aChina’s Cultural Diplomacy in Indonesia : _bThe Case of a Transnational Singing Contest / _cChang Yau Hoon, Ardhitya Eduard Yeremia.
264		1	_aSingapore : _bISEAS Publishing, _c[2024]
264		4	_c2024
300			_a1 online resource (20 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tEXECUTIVE SUMMARY -- _tINTRODUCTION -- _tNAVIGATING COMPLEX CHINA-INDONESIA TIES -- _tSENTIMENTS TOWARDS CHINA AND ETHNIC CHINESE -- _tCHINA’S SOFT POWER IN POST-SUHARTO INDONESIA: THE CASE OF THE TRANSNATIONAL SPRING FESTIVAL GALA -- _tCONCLUSION -- _tREFERENCES
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aThe emphasis on cultural connectivity in China’s growing presence and involvement in Southeast Asia highlights the importance China places on people-to-people exchanges as part of its global engagement strategy. The remarkable ascension of China over the recent decades has precipitated a proliferation of anti-China sentiments, particularly galvanized within the crucible of a “discourse war” with Western powers, as expressed in the latter’s “China threat” narrative. In response to such challenges, China has made substantial investments in cultural diplomacy, to augment its soft power through orchestrated global outreach initiatives. This article examines Chinese cultural diplomacy in the realm of entertainment, specifically “The Melody of Spring: Transnational Spring Festival Gala” hosted in Nanning, Guangxi, and disseminated globally each Chinese New Year. Against the legacy of China-Indonesia bilateral relations as well as Indonesia’s treatment of its Chinese minority, this study explores China’s cultural diplomacy and soft power in contemporary Indonesia. Through the case study of the “Transnational Spring Festival Gala”, this article posits that China’s cultural dissemination as an instrument of soft power has yielded little influence on the Indonesian public and has limited impact on the formation of a transnational imagined community.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024)
650		0	_aChinese overseas _zIndonesia.
650		0	_aCultural diplomacy _zChina.
650		4	_aInternational Relations/ Diplomacy.
650		7	_aPOLITICAL SCIENCE / International Relations / Diplomacy. _2bisacsh
700	1		_aYeremia, Ardhitya Eduard _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1355/9789815203257
856	4	0	_uhttps://www.degruyter.com/isbn/9789815203257
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9789815203257/original
942			_cEB
999			_c308247 _d308247