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Writing the Image After Roland Barthes / ed. by Jean-Michel Rabaté, Jean-Michel Rabate.

Contributor(s): Material type: TextTextSeries: New Cultural StudiesPublisher: Philadelphia : University of Pennsylvania Press, [2012]Copyright date: ©1997Description: 1 online resource (296 p.) : 30 illusContent type:
Media type:
Carrier type:
ISBN:
  • 9780812215960
  • 9780812200232
Subject(s): DDC classification:
  • 770/.1 21
LOC classification:
  • TR183 .W73 1997
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- List of Abbreviations -- Introduction -- I. Reflections on Photography -- 1. Barthes’s Discretion -- 2. “What has occurred only once” -- 3. The Filter of Culture and the Culture of Death -- 4. Barthes and Bazin -- 5. Roland Barthes’s Obtuse, Sharp Meaning and the Responsibilities of Commentary -- 6. Photographeme -- 7. Narrative Liaisons -- 8. Circulating Images -- 9. Roland Barthes, or The Woman Without a Shadow -- 10. The Descent of Orpheus -- II. Seeing Language, Seeing Culture -- 11.The Imaginary Museum of Jules Michelet -- 12. Barthes with Marx -- 13. Beyond Metalanguage -- 14. Who Is the Real One? -- 15. The Art of Being Sparse, Porous, Scattered -- 16. Genetic Criticism in the Wake of Barthes -- 17. Roland Barthes Abroad -- 18. Un-Scriptible -- Conclusion: A False Account of Talking with Frank O’Hara and Roland Barthes in Philadelphia -- Bibliography -- Contributors -- Index
Summary: In the final stages of his career, Roland Barthes abandoned his long-standing suspicion of photographic representation to write Camera Lucida, at once an elegy to his dead mother and a treatise on photography. In Writing the Image After Roland Barthes, Jean-Michel Rabaté and nineteen contributors examine the import of Barthes's shifting positions on photography and visual representation and the impact of his work on current developments in cultural studies and theories of the media and popular culture.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780812200232

Frontmatter -- Contents -- List of Abbreviations -- Introduction -- I. Reflections on Photography -- 1. Barthes’s Discretion -- 2. “What has occurred only once” -- 3. The Filter of Culture and the Culture of Death -- 4. Barthes and Bazin -- 5. Roland Barthes’s Obtuse, Sharp Meaning and the Responsibilities of Commentary -- 6. Photographeme -- 7. Narrative Liaisons -- 8. Circulating Images -- 9. Roland Barthes, or The Woman Without a Shadow -- 10. The Descent of Orpheus -- II. Seeing Language, Seeing Culture -- 11.The Imaginary Museum of Jules Michelet -- 12. Barthes with Marx -- 13. Beyond Metalanguage -- 14. Who Is the Real One? -- 15. The Art of Being Sparse, Porous, Scattered -- 16. Genetic Criticism in the Wake of Barthes -- 17. Roland Barthes Abroad -- 18. Un-Scriptible -- Conclusion: A False Account of Talking with Frank O’Hara and Roland Barthes in Philadelphia -- Bibliography -- Contributors -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

In the final stages of his career, Roland Barthes abandoned his long-standing suspicion of photographic representation to write Camera Lucida, at once an elegy to his dead mother and a treatise on photography. In Writing the Image After Roland Barthes, Jean-Michel Rabaté and nineteen contributors examine the import of Barthes's shifting positions on photography and visual representation and the impact of his work on current developments in cultural studies and theories of the media and popular culture.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Aug 2023)