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Realisms of the Avant-Garde / ed. by Moritz Baßler, Benedikt Hjartarson, Ursula Frohne, David Ayers, Sascha Bru.

Contributor(s): Material type: TextTextSeries: European Avant-Garde and Modernism Studies ; 6Publisher: Berlin ; Boston : De Gruyter, [2020]Copyright date: ©2020Description: 1 online resource (XIV, 630 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9783110637021
  • 9783110637656
  • 9783110637533
Subject(s): DDC classification:
  • 809.9112 23/ger
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Contents -- About the Series – Sur la collection – Zur Buchreihe -- Introduction -- Realism(s) of the Avant-Garde: An Introduction -- Modernist Realism? -- Realismus – Avantgarde – Phantastik -- Mário de Andrade: Modernism, Realism, and New Stories -- Scientistic Magnetism and Hauntological Metarealism -- Conditional-Realistic Constructivism or Constructivist New Realism -- „Eine Verteidigung des Wirklichen“ -- Fremde Formen – neue Sprache -- Surpassing Realism? -- Ähnlichkeit als Konzept des SurRealismus -- Surreal Science and Scientific Surrealism -- Toward the Conquest of (Another) Reality -- D’un réalisme indiciaire : la revue Documents (1929–1930) -- Spiegelung des Selbst: Giorgio de Chirico über Gustave Courbet -- A Quest for a “New Man”: Bruno Schulz and Giorgio de Chirico -- Zeichen der Doppelbödigkeit -- When the Reality is Unreal: Camps, Towers and Internment -- Media/Documenting the Real? -- Le réalisme des appareils -- The Inconceivable Reality -- A Beautiful New World -- The Real Reality: Notes on Boris Klinč and Photomontage in the USSR -- Constructivism between the Reality and an Aesthetic Performance -- Reality as Disguise: Tadeusz Kantor’s Happenings -- The Cinema of Improvisation -- Realist Turns/Politics of Realism? -- Fernand Léger’s New Realism -- Picasso vs. Fougeron -- Whose Figuration? -- The Use(s) of Realism in Spain: Politics and the Visual Arts in the Long Sixties -- (Ir)Real Portugal -- State-commission in Modern Times -- Things/Thingness/Objectivity? -- Unter dem Pflaster ist die Kanalisation -- Modernistischer Realismus der Arbeiterbewegungsliteratur -- Das Ich und die Dinge -- “… this is without a doubt the most despicable barbarism one could attain” -- “Everything Is Symbolical” -- “Reism” in Slovenian Neo-Avant-Garde Literature and Art -- Dinge als Akteure in (neo)avantgardistischen Texten -- New Sincerity/New Openings in the Twenty-First Century? -- Rewriting the Real – Dialogic Perspectives of Interventionist Strategies in Contemporary French Literature -- Eine unzeitgemäße Zeitgenossenschaft? -- Historiographies of Realism in the Work of Chto Delat? -- Whither Realism? -- List of Contributors -- Index
Summary: The historical avant-gardes defined themselves largely in terms of their relationship to various versions of realism. At first glance modernism primarily seems to take a counter-position against realism, yet a closer investigation reveals that these relations are more complex. This book is dedicated to the links between realism, modernism and the avant-garde in their international context from the late 19th century up to the present day.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9783110637533

Frontmatter -- Contents -- About the Series – Sur la collection – Zur Buchreihe -- Introduction -- Realism(s) of the Avant-Garde: An Introduction -- Modernist Realism? -- Realismus – Avantgarde – Phantastik -- Mário de Andrade: Modernism, Realism, and New Stories -- Scientistic Magnetism and Hauntological Metarealism -- Conditional-Realistic Constructivism or Constructivist New Realism -- „Eine Verteidigung des Wirklichen“ -- Fremde Formen – neue Sprache -- Surpassing Realism? -- Ähnlichkeit als Konzept des SurRealismus -- Surreal Science and Scientific Surrealism -- Toward the Conquest of (Another) Reality -- D’un réalisme indiciaire : la revue Documents (1929–1930) -- Spiegelung des Selbst: Giorgio de Chirico über Gustave Courbet -- A Quest for a “New Man”: Bruno Schulz and Giorgio de Chirico -- Zeichen der Doppelbödigkeit -- When the Reality is Unreal: Camps, Towers and Internment -- Media/Documenting the Real? -- Le réalisme des appareils -- The Inconceivable Reality -- A Beautiful New World -- The Real Reality: Notes on Boris Klinč and Photomontage in the USSR -- Constructivism between the Reality and an Aesthetic Performance -- Reality as Disguise: Tadeusz Kantor’s Happenings -- The Cinema of Improvisation -- Realist Turns/Politics of Realism? -- Fernand Léger’s New Realism -- Picasso vs. Fougeron -- Whose Figuration? -- The Use(s) of Realism in Spain: Politics and the Visual Arts in the Long Sixties -- (Ir)Real Portugal -- State-commission in Modern Times -- Things/Thingness/Objectivity? -- Unter dem Pflaster ist die Kanalisation -- Modernistischer Realismus der Arbeiterbewegungsliteratur -- Das Ich und die Dinge -- “… this is without a doubt the most despicable barbarism one could attain” -- “Everything Is Symbolical” -- “Reism” in Slovenian Neo-Avant-Garde Literature and Art -- Dinge als Akteure in (neo)avantgardistischen Texten -- New Sincerity/New Openings in the Twenty-First Century? -- Rewriting the Real – Dialogic Perspectives of Interventionist Strategies in Contemporary French Literature -- Eine unzeitgemäße Zeitgenossenschaft? -- Historiographies of Realism in the Work of Chto Delat? -- Whither Realism? -- List of Contributors -- Index

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http://purl.org/coar/access_right/c_16ec

The historical avant-gardes defined themselves largely in terms of their relationship to various versions of realism. At first glance modernism primarily seems to take a counter-position against realism, yet a closer investigation reveals that these relations are more complex. This book is dedicated to the links between realism, modernism and the avant-garde in their international context from the late 19th century up to the present day.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)