Figures of Identity : Goethe's Novels and the Enigmatic Self /
Muenzer, Clark S.
Figures of Identity : Goethe's Novels and the Enigmatic Self / Clark S. Muenzer. - 1 online resource (176 p.)
Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1 Turning Toward the Sublime -- 2 The Speculative Way -- 3 Possessive Presumptions -- 4 Deference and the Deferral of Aspiration -- 5 Hope's Elusive Chest -- Notes -- Bibliography -- Index
restricted access http://purl.org/coar/access_right/c_16ec
The question of coherence in Goethe's novels, which, like Faust, compelled his attention throughout his creative life, has only recently occupied a few critics. Professor Muenzer's study offers the most comprehensive effort of this kind by examining the problematic nature of self-definition through the four novels and its emergence as a discursive process of the imagination.The self of these texts, Muenzer suggests, evolves as a symbolic construct that records a patter of pursuit for each of their protagonists and orients the reader toward three basic goals of human aspiration. Thus, Werther aspires to purposefulness as a center of teleological fulfillment, while the hero of Wilhelm Meister's Apprenticeship refers to an ideological center of participation in his social desire. Eduard, in The Elective Affinities, presumes to occupy a center of archaeological power through his typically self-assertive strategies.In the last of his novels, Wilhelm Meister's Journeymanship, Goethe articulates the need to balance all such self-involved behavior with an attitude of self-denial. Apparently, the mind can orient itself through centers of purpose, order, and power, but it must also recognize the illusion of their attainment. Identity does not involve a substantive presence, and the result of self-definition for Goethe is interpretive work.Each of Professor Muenzer's interpretations has been guided by this premise. The interests of all of Goethe's novelistic protagonists, he concludes, ";serve as orienting postures toward goals that cannot be literally achieved."; Consequently, symbolic resolutions are proposed. These then introduce new problems as points of departure in subsequent works. The hidden agenda of Goethe's work as a novelist is a self that exists as a textual problem, a series of interpretive moves that endlessly defer the attainment of self presence by supplementing each other in narrative fictions.
Mode of access: Internet via World Wide Web.
In English.
9780271072869
10.1515/9780271072869 doi
Self-realization in literature.
LITERARY CRITICISM / European / German.
PT1986 / .M8 1984
833/.6
Figures of Identity : Goethe's Novels and the Enigmatic Self / Clark S. Muenzer. - 1 online resource (176 p.)
Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1 Turning Toward the Sublime -- 2 The Speculative Way -- 3 Possessive Presumptions -- 4 Deference and the Deferral of Aspiration -- 5 Hope's Elusive Chest -- Notes -- Bibliography -- Index
restricted access http://purl.org/coar/access_right/c_16ec
The question of coherence in Goethe's novels, which, like Faust, compelled his attention throughout his creative life, has only recently occupied a few critics. Professor Muenzer's study offers the most comprehensive effort of this kind by examining the problematic nature of self-definition through the four novels and its emergence as a discursive process of the imagination.The self of these texts, Muenzer suggests, evolves as a symbolic construct that records a patter of pursuit for each of their protagonists and orients the reader toward three basic goals of human aspiration. Thus, Werther aspires to purposefulness as a center of teleological fulfillment, while the hero of Wilhelm Meister's Apprenticeship refers to an ideological center of participation in his social desire. Eduard, in The Elective Affinities, presumes to occupy a center of archaeological power through his typically self-assertive strategies.In the last of his novels, Wilhelm Meister's Journeymanship, Goethe articulates the need to balance all such self-involved behavior with an attitude of self-denial. Apparently, the mind can orient itself through centers of purpose, order, and power, but it must also recognize the illusion of their attainment. Identity does not involve a substantive presence, and the result of self-definition for Goethe is interpretive work.Each of Professor Muenzer's interpretations has been guided by this premise. The interests of all of Goethe's novelistic protagonists, he concludes, ";serve as orienting postures toward goals that cannot be literally achieved."; Consequently, symbolic resolutions are proposed. These then introduce new problems as points of departure in subsequent works. The hidden agenda of Goethe's work as a novelist is a self that exists as a textual problem, a series of interpretive moves that endlessly defer the attainment of self presence by supplementing each other in narrative fictions.
Mode of access: Internet via World Wide Web.
In English.
9780271072869
10.1515/9780271072869 doi
Self-realization in literature.
LITERARY CRITICISM / European / German.
PT1986 / .M8 1984
833/.6