Sick Economies : Drama, Mercantilism, and Disease in Shakespeare's England /
Harris, Jonathan Gil
Sick Economies : Drama, Mercantilism, and Disease in Shakespeare's England / Jonathan Gil Harris. - 1 online resource (272 p.)
Frontmatter -- Contents -- 1 The Asian Flu; Or, The Pathological Drama of National Economy -- 2 Syphilis and Trade: Thomas Starkey, Thomas Smith, The Comedy of Errors -- 3 Taint and Usury: Gerard Malynes, The Dutch Church Libel, The Merchant of Venice -- 4 Canker/Serpego and Value: Gerard Malynes, Troilus and Cressida -- 5 Plague and Transmigration: Timothy Bright, Thomas Milles, Volpone -- 6 Hepatitis/Castration and Treasure: Edward Misselden, Gerard Malynes, The Fair Maid of the West, The Renegado -- 7 Consumption and Consumption: Thomas Mun, The Roaring Girl -- 8 Afterword: Anthrax, Cyberworms, and the New Ethereal Economy -- Notes -- Bibliography -- Index -- Acknowledgments
restricted access http://purl.org/coar/access_right/c_16ec
From French Physiocrat theories of the blood-like circulation of wealth to Adam Smith's "invisible hand" of the market, the body has played a crucial role in Western perceptions of the economic. In Renaissance culture, however, the dominant bodily metaphors for national wealth and economy were derived from the relatively new language of infectious disease. Whereas traditional Galenic medicine had understood illness as a state of imbalance within the body, early modern writers increasingly reimagined disease as an invasive foreign agent. The rapid rise of global trade in the sixteenth century, and the resulting migrations of people, money, and commodities across national borders, contributed to this growing pathologization of the foreign; conversely, the new trade-inflected vocabularies of disease helped writers to represent the contours of national and global economies.Grounded in scrupulous analyses of cultural and economic history, Sick Economies: Drama, Mercantilism, and Disease in Shakespeare's England teases out the double helix of the pathological and the economic in two seemingly disparate spheres of early modern textual production: drama and mercantilist writing. Of particular interest to this study are the ways English playwrights, such as Shakespeare, Jonson, Heywood, Massinger, and Middleton, and mercantilists, such as Malynes, Milles, Misselden, and Mun, rooted their conceptions of national economy in the language of disease. Some of these diseases-syphilis, taint, canker, plague, hepatitis-have subsequently lost their economic connotations; others-most notably consumption-remain integral to the modern economic lexicon but have by and large shed their pathological senses.Breaking new ground by analyzing English mercantilism primarily as a discursive rather than an ideological or economic system, Sick Economies provides a compelling history of how, even in our own time, defenses of transnational economy have paradoxically pathologized the foreign. In the process, Jonathan Gil Harris argues that what we now regard as the discrete sphere of the economic cannot be disentangled from seemingly unrelated domains of Renaissance culture, especially medicine and the theater.
Mode of access: Internet via World Wide Web.
In English.
9780812237733 9780812202199
10.9783/9780812202199 doi
Economics in literature.
English drama--17th century--History and criticism.
English drama 1500-1600 --Early modern and Elizabethan--History and criticism.
English drama--Early modern and Elizabethan.
English drama--History and criticism.--Early modern and Elizabethan, 1500-1600
Literature and medicine--History--16th century.--England
Literature and medicine--History--17th century.--England
Literature and medicine--History--England--16th century.
Literature and medicine--History--England--17th century.
Mercantile system--History--16th century.--Great Britain
Mercantile system--History--17th century.--Great Britain
Medieval and Renaissance Studies.
LITERARY CRITICISM / European / English, Irish, Scottish, Welsh.
Cultural Studies. Literature. Medieval and Renaissance Studies.
822.33
Sick Economies : Drama, Mercantilism, and Disease in Shakespeare's England / Jonathan Gil Harris. - 1 online resource (272 p.)
Frontmatter -- Contents -- 1 The Asian Flu; Or, The Pathological Drama of National Economy -- 2 Syphilis and Trade: Thomas Starkey, Thomas Smith, The Comedy of Errors -- 3 Taint and Usury: Gerard Malynes, The Dutch Church Libel, The Merchant of Venice -- 4 Canker/Serpego and Value: Gerard Malynes, Troilus and Cressida -- 5 Plague and Transmigration: Timothy Bright, Thomas Milles, Volpone -- 6 Hepatitis/Castration and Treasure: Edward Misselden, Gerard Malynes, The Fair Maid of the West, The Renegado -- 7 Consumption and Consumption: Thomas Mun, The Roaring Girl -- 8 Afterword: Anthrax, Cyberworms, and the New Ethereal Economy -- Notes -- Bibliography -- Index -- Acknowledgments
restricted access http://purl.org/coar/access_right/c_16ec
From French Physiocrat theories of the blood-like circulation of wealth to Adam Smith's "invisible hand" of the market, the body has played a crucial role in Western perceptions of the economic. In Renaissance culture, however, the dominant bodily metaphors for national wealth and economy were derived from the relatively new language of infectious disease. Whereas traditional Galenic medicine had understood illness as a state of imbalance within the body, early modern writers increasingly reimagined disease as an invasive foreign agent. The rapid rise of global trade in the sixteenth century, and the resulting migrations of people, money, and commodities across national borders, contributed to this growing pathologization of the foreign; conversely, the new trade-inflected vocabularies of disease helped writers to represent the contours of national and global economies.Grounded in scrupulous analyses of cultural and economic history, Sick Economies: Drama, Mercantilism, and Disease in Shakespeare's England teases out the double helix of the pathological and the economic in two seemingly disparate spheres of early modern textual production: drama and mercantilist writing. Of particular interest to this study are the ways English playwrights, such as Shakespeare, Jonson, Heywood, Massinger, and Middleton, and mercantilists, such as Malynes, Milles, Misselden, and Mun, rooted their conceptions of national economy in the language of disease. Some of these diseases-syphilis, taint, canker, plague, hepatitis-have subsequently lost their economic connotations; others-most notably consumption-remain integral to the modern economic lexicon but have by and large shed their pathological senses.Breaking new ground by analyzing English mercantilism primarily as a discursive rather than an ideological or economic system, Sick Economies provides a compelling history of how, even in our own time, defenses of transnational economy have paradoxically pathologized the foreign. In the process, Jonathan Gil Harris argues that what we now regard as the discrete sphere of the economic cannot be disentangled from seemingly unrelated domains of Renaissance culture, especially medicine and the theater.
Mode of access: Internet via World Wide Web.
In English.
9780812237733 9780812202199
10.9783/9780812202199 doi
Economics in literature.
English drama--17th century--History and criticism.
English drama 1500-1600 --Early modern and Elizabethan--History and criticism.
English drama--Early modern and Elizabethan.
English drama--History and criticism.--Early modern and Elizabethan, 1500-1600
Literature and medicine--History--16th century.--England
Literature and medicine--History--17th century.--England
Literature and medicine--History--England--16th century.
Literature and medicine--History--England--17th century.
Mercantile system--History--16th century.--Great Britain
Mercantile system--History--17th century.--Great Britain
Medieval and Renaissance Studies.
LITERARY CRITICISM / European / English, Irish, Scottish, Welsh.
Cultural Studies. Literature. Medieval and Renaissance Studies.
822.33