Icons - Texts - Iconotexts : Essays on Ekphrasis and Intermediality /
Icons - Texts - Iconotexts : Essays on Ekphrasis and Intermediality /
ed. by Peter Wagner.
- 1 online resource (406 p.) : 15 farb. Taf.
- European Cultures : Studies in Literature and the Arts ; 6 .
Frontmatter -- Acknowledgments -- Contents -- Introduction: Ekphrasis, Iconotexts, and Intermediality – the State(s) of the Art(s) -- Ekphrasis and Theories of Reading Visual Representations -- Iconolâtrie et iconoclastie de l’écriture libertine -- Ekphrasis as Art Criticism: Diderot and Fragonard’s “Coresus and Callirhoe” -- Ekphrasis and the Mimetic Crisis of Romanticism -- Ecritures de l’image chez Théophile Gautier -- Icono texts: The Eighteenth Century -- Watteau: The Aesthetics of Pleasure -- Sterne and Fragonard: “The Escapades of Death” -- The Harlot, Her Father, and the Parson: Representing and Interpreting Hogarth in the Eighteenth Century -- La mise en scène de la table de travail: poétologie et épistémologie immanentes chez Guillaume-Thomas Raynal et Alexander von Humboldt -- Icono texts: The Nineteenth Century -- The Strategic Withdrawal from Ekphrasis in Jane Austen’s Novels -- Appropriating Botticelli: English Approaches 1860–1890 -- Entering the Museum of Words: Browning’s “My Last Duchess” and Twentieth-Century Ekphrasis -- Oscar Wilde’s “Impression du matin” – an Intermedial Reading -- Iconotexts: Caricature -- Text as Design in Gillray’s Caricature -- The Battle of the Signs: Robert Crumb’s Visual Reading of James Boswell’s “London Journal” -- Bibliography -- List of Illustrations -- Notes on Contributors -- Index -- Colour Plates -- 418-420
restricted access http://purl.org/coar/access_right/c_16ec
Mode of access: Internet via World Wide Web.
In English.
9783110142914 9783110882599
10.1515/9783110882599 doi
Art and literature.
Description (Rhetoric).
Ekphrasis.
European literature--History and criticism.
Eichstätt ‹1993›.
Ekphrasis.
Kongress.
Kunst.
LITERARY CRITICISM / General.
PN56.E45 / I2 1996eb
809/.922
Frontmatter -- Acknowledgments -- Contents -- Introduction: Ekphrasis, Iconotexts, and Intermediality – the State(s) of the Art(s) -- Ekphrasis and Theories of Reading Visual Representations -- Iconolâtrie et iconoclastie de l’écriture libertine -- Ekphrasis as Art Criticism: Diderot and Fragonard’s “Coresus and Callirhoe” -- Ekphrasis and the Mimetic Crisis of Romanticism -- Ecritures de l’image chez Théophile Gautier -- Icono texts: The Eighteenth Century -- Watteau: The Aesthetics of Pleasure -- Sterne and Fragonard: “The Escapades of Death” -- The Harlot, Her Father, and the Parson: Representing and Interpreting Hogarth in the Eighteenth Century -- La mise en scène de la table de travail: poétologie et épistémologie immanentes chez Guillaume-Thomas Raynal et Alexander von Humboldt -- Icono texts: The Nineteenth Century -- The Strategic Withdrawal from Ekphrasis in Jane Austen’s Novels -- Appropriating Botticelli: English Approaches 1860–1890 -- Entering the Museum of Words: Browning’s “My Last Duchess” and Twentieth-Century Ekphrasis -- Oscar Wilde’s “Impression du matin” – an Intermedial Reading -- Iconotexts: Caricature -- Text as Design in Gillray’s Caricature -- The Battle of the Signs: Robert Crumb’s Visual Reading of James Boswell’s “London Journal” -- Bibliography -- List of Illustrations -- Notes on Contributors -- Index -- Colour Plates -- 418-420
restricted access http://purl.org/coar/access_right/c_16ec
Mode of access: Internet via World Wide Web.
In English.
9783110142914 9783110882599
10.1515/9783110882599 doi
Art and literature.
Description (Rhetoric).
Ekphrasis.
European literature--History and criticism.
Eichstätt ‹1993›.
Ekphrasis.
Kongress.
Kunst.
LITERARY CRITICISM / General.
PN56.E45 / I2 1996eb
809/.922