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Icons - Texts - Iconotexts : Essays on Ekphrasis and Intermediality / ed. by Peter Wagner.

Contributor(s): Material type: TextTextSeries: European Cultures : Studies in Literature and the Arts ; 6Publisher: Berlin ; Boston : De Gruyter, [2012]Copyright date: ©1996Description: 1 online resource (406 p.) : 15 farb. TafContent type:
Media type:
Carrier type:
ISBN:
  • 9783110142914
  • 9783110882599
Subject(s): DDC classification:
  • 809/.922 22
LOC classification:
  • PN56.E45 I2 1996eb
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Acknowledgments -- Contents -- Introduction: Ekphrasis, Iconotexts, and Intermediality – the State(s) of the Art(s) -- Ekphrasis and Theories of Reading Visual Representations -- Iconolâtrie et iconoclastie de l’écriture libertine -- Ekphrasis as Art Criticism: Diderot and Fragonard’s “Coresus and Callirhoe” -- Ekphrasis and the Mimetic Crisis of Romanticism -- Ecritures de l’image chez Théophile Gautier -- Icono texts: The Eighteenth Century -- Watteau: The Aesthetics of Pleasure -- Sterne and Fragonard: “The Escapades of Death” -- The Harlot, Her Father, and the Parson: Representing and Interpreting Hogarth in the Eighteenth Century -- La mise en scène de la table de travail: poétologie et épistémologie immanentes chez Guillaume-Thomas Raynal et Alexander von Humboldt -- Icono texts: The Nineteenth Century -- The Strategic Withdrawal from Ekphrasis in Jane Austen’s Novels -- Appropriating Botticelli: English Approaches 1860–1890 -- Entering the Museum of Words: Browning’s “My Last Duchess” and Twentieth-Century Ekphrasis -- Oscar Wilde’s “Impression du matin” – an Intermedial Reading -- Iconotexts: Caricature -- Text as Design in Gillray’s Caricature -- The Battle of the Signs: Robert Crumb’s Visual Reading of James Boswell’s “London Journal” -- Bibliography -- List of Illustrations -- Notes on Contributors -- Index -- Colour Plates -- 418-420
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9783110882599

Frontmatter -- Acknowledgments -- Contents -- Introduction: Ekphrasis, Iconotexts, and Intermediality – the State(s) of the Art(s) -- Ekphrasis and Theories of Reading Visual Representations -- Iconolâtrie et iconoclastie de l’écriture libertine -- Ekphrasis as Art Criticism: Diderot and Fragonard’s “Coresus and Callirhoe” -- Ekphrasis and the Mimetic Crisis of Romanticism -- Ecritures de l’image chez Théophile Gautier -- Icono texts: The Eighteenth Century -- Watteau: The Aesthetics of Pleasure -- Sterne and Fragonard: “The Escapades of Death” -- The Harlot, Her Father, and the Parson: Representing and Interpreting Hogarth in the Eighteenth Century -- La mise en scène de la table de travail: poétologie et épistémologie immanentes chez Guillaume-Thomas Raynal et Alexander von Humboldt -- Icono texts: The Nineteenth Century -- The Strategic Withdrawal from Ekphrasis in Jane Austen’s Novels -- Appropriating Botticelli: English Approaches 1860–1890 -- Entering the Museum of Words: Browning’s “My Last Duchess” and Twentieth-Century Ekphrasis -- Oscar Wilde’s “Impression du matin” – an Intermedial Reading -- Iconotexts: Caricature -- Text as Design in Gillray’s Caricature -- The Battle of the Signs: Robert Crumb’s Visual Reading of James Boswell’s “London Journal” -- Bibliography -- List of Illustrations -- Notes on Contributors -- Index -- Colour Plates -- 418-420

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)