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The Other Enlightenment : How French Women Became Modern / Carla Hesse.

By: Material type: TextTextPublisher: Princeton, NJ : Princeton University Press, [2018]Copyright date: ©2001Description: 1 online resourceContent type:
Media type:
Carrier type:
ISBN:
  • 9780691188423
Subject(s): DDC classification:
  • 305.40944 22
LOC classification:
  • DC33.6 .H46 2003eb
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- CONTENTS -- ILLUSTRATIONS AND TABLES -- PREFACE -- ABBREVATIONS -- TIMELINE -- PART ONE. Women in the Modern Public Sphere -- CHAPTER ONE. The Perils of Eloquence -- CHAPTER TWO. Women into Print -- CHAPTER THREE. Female Authorship in the New Regime -- PART TWO. Self-Making Politics, Ethics, Poetics -- CHAPTER FOUR. Becoming Republican -- CHAPTER FIVE. The Ethics of Unequals -- CHAPTER SIX. Fiction as Philosophy -- Conclusion -- APPENDIX A.Bibliography of French Women, 1789-1800 -- APPENDIX B. Publishers and Publishing Locations of French Women: 1789-1800 -- INDEX
Summary: The French Revolution created a new cultural world that freed women from the constraints of corporate privilege, aristocratic salons, and patriarchal censorship, even though it failed to grant them legal equality. Women burst into print in unprecedented numbers and became active participants in the great political, ethical, and aesthetic debates that gave birth to our understanding of the individual as a self-creating, self-determining agent. Carla Hesse tells this story, delivering a capacious history of how French women have used writing to create themselves as modern individuals. Beginning with the marketplace fishwives and salon hostesses whose eloquence shaped French culture low and high and leading us through the accomplishments of Simone de Beauvoir, Hesse shows what it meant to make an independent intellectual life as a woman in France. She offers exquisitely constructed portraits of the work and mental lives of many fascinating women--including both well-known novelists and now-obscure pamphleteers--who put pen to paper during and after the Revolution. We learn how they negotiated control over their work and authorial identity--whether choosing pseudonyms like Georges Sand or forsaking profits to sign their own names. We encounter the extraordinary Louise de Kéralio-Robert, a critically admired historian who re-created herself as a revolutionary novelist. We meet aristocratic women whose literary criticism subjected them to slander as well as writers whose rhetoric cost them not only reputation but marriage, citizenship, and even their heads. Crucially, their stories reveal how the unequal terms on which women entered the modern era shaped how they wrote and thought. Though women writers and thinkers championed the full range of political and social positions--from royalist to Jacobin, from ultraconservative to fully feminist--they shared common moral perspectives and representational strategies. Unlike the Enlightenment of their male peers, theirs was more skeptical than idealist, more situationalist than universalist. And this alternative project lies at the very heart of modern French letters.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780691188423

Frontmatter -- CONTENTS -- ILLUSTRATIONS AND TABLES -- PREFACE -- ABBREVATIONS -- TIMELINE -- PART ONE. Women in the Modern Public Sphere -- CHAPTER ONE. The Perils of Eloquence -- CHAPTER TWO. Women into Print -- CHAPTER THREE. Female Authorship in the New Regime -- PART TWO. Self-Making Politics, Ethics, Poetics -- CHAPTER FOUR. Becoming Republican -- CHAPTER FIVE. The Ethics of Unequals -- CHAPTER SIX. Fiction as Philosophy -- Conclusion -- APPENDIX A.Bibliography of French Women, 1789-1800 -- APPENDIX B. Publishers and Publishing Locations of French Women: 1789-1800 -- INDEX

The French Revolution created a new cultural world that freed women from the constraints of corporate privilege, aristocratic salons, and patriarchal censorship, even though it failed to grant them legal equality. Women burst into print in unprecedented numbers and became active participants in the great political, ethical, and aesthetic debates that gave birth to our understanding of the individual as a self-creating, self-determining agent. Carla Hesse tells this story, delivering a capacious history of how French women have used writing to create themselves as modern individuals. Beginning with the marketplace fishwives and salon hostesses whose eloquence shaped French culture low and high and leading us through the accomplishments of Simone de Beauvoir, Hesse shows what it meant to make an independent intellectual life as a woman in France. She offers exquisitely constructed portraits of the work and mental lives of many fascinating women--including both well-known novelists and now-obscure pamphleteers--who put pen to paper during and after the Revolution. We learn how they negotiated control over their work and authorial identity--whether choosing pseudonyms like Georges Sand or forsaking profits to sign their own names. We encounter the extraordinary Louise de Kéralio-Robert, a critically admired historian who re-created herself as a revolutionary novelist. We meet aristocratic women whose literary criticism subjected them to slander as well as writers whose rhetoric cost them not only reputation but marriage, citizenship, and even their heads. Crucially, their stories reveal how the unequal terms on which women entered the modern era shaped how they wrote and thought. Though women writers and thinkers championed the full range of political and social positions--from royalist to Jacobin, from ultraconservative to fully feminist--they shared common moral perspectives and representational strategies. Unlike the Enlightenment of their male peers, theirs was more skeptical than idealist, more situationalist than universalist. And this alternative project lies at the very heart of modern French letters.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Mai 2019)